This September, the 76-year-old will reunite with Mike Nesmith, the other surviving member of the band, for the 2021 “Monkees Farewell Tour.” However, the musician and actor said he has zero plans to slow down.
“I tried it once, and I got bored, so it’s not in my plans right now,” Dolenz recently told Closer Weekly about his retirement plans.
But when asked if this is really it for The Monkees, the star said, “the short answer is yes.”
“I think this is the last time Mike and I will get together as The Monkees,” he explained. “We questioned whether we should have even called it The Monkees. It’s a different show because the other two main guys, David [Jones] and Peter [Tork] aren’t with us anymore. So, yes, I think this is probably the last hurrah.”
When “The Monkees” debuted in September 1966, the group became overnight teen idols.
Producers Bob Rafelson and Bert Schneider modeled the show after The Beatles’ popular musical comedies “A Hard Day’s Night” and “Help!,” seeking to create a band that would mirror them in cheekiness if not musical talent.
In The Monkees iteration, Nesmith was the serious one, Jones the cute one and Dolenz the zany one.
During its two-year run, “The Monkees” would win an Emmy for outstanding comedy series and the group would land seven songs in Billboard’s Top 10. “I’m a Believer,” ″Daydream Believer” and “Last Train to Clarksville” would reach No. 1.
After the show concluded in 1968, the band went on a lengthy concert tour that at one point included Jimi Hendrix as the opening act.
But music critics turned on them. They were dismissed as the PreFab Four, a mocking comparison to The Beatles.
Things took a turn in the mid-1980s, thanks to TV reruns and album reissues. The Monkees gained a new, younger following, which led to reunion tours and new music.
“The Monkees, as a group, never made it on the TV show,” Dolenz reflected on how the band continues to resonate with fans. “It was always about their struggle for success. Those struggles are the stories that tend to resonate with generations, regardless of the style, the music and the costumes of the time. It resonates and always will.”
Dolenz described his time filming the TV series as “one big, long memory.”
“It was only a few years, but between filming the television show 10 to 12 hours a day, then recording at night and rehearsing on weekends, it was very intense,” he told the outlet. “I remember people along the way much more than I remember moments. Costars like Rose Marie, who I got along with famously.”
Dolenz insisted that it was never a burden for him to be known solely as Micky from The Monkees.
“I can’t speak for anyone else,” he clarified. “[But] after The Monkees, I went to England and produced and directed TV shows and commercials for 15 years. I always looked at The Monkees as a blessing because it opened up so many doors for me. But you do get typecast. I’ll be honest, it was a bit frustrating when I’d hear that I was up for something as an actor or director and they’d say, ‘We really don’t need a drummer.’
“[But]… I’m very grateful,” he continued. “I’ve been blessed my whole life. I’m blessed with my children. I’m blessed with my marriages – I’m on my third marriage – but I’ve been blessed with the women that have been in my life, the mothers of my children. And, of course, with getting cast on The Monkees.”
The Associated Press contributed to this report.
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